Army of Two: The Devil’s Cartel is a mostly competent, wholly soulless consumer product, the kind that might briefly satisfy your craving for action because it’s new, if not particularly special or memorable. The third Army of Two game usually functions just fine, and its decent third-person shooting might even be enough to keep you gunning down one nameless grunt after another until there are no more grunts to gun down. But any spark the series has shown has been stripped away in favor of homogeneity. Like its two new protagonists, The Devil’s Cartel blends into the background, unrecognizable among all the brown shooters that have come before it.